South African musician Ndivhudzannyi “Makhadzi” Ralivhona has unveiled the cover for her highly anticipated album *Miracle Child*, set to be released on October 7. The album cover has already garnered significant attention, blending personal narrative with artistic expression in a way that both captivates and provokes.
Inspired by the cover of Barbadian singer Robyn “Rihanna” Fenty’s *Unapologetic*, Makhadzi’s album artwork features her unclothed, with words such as “miscarriage,” “polygamy,” “close mic,” “mojolo,” “Sars,” “art and culture,” “BET,” “one-woman show,” and “Phalaphala” painted across her body. Each word represents a significant aspect of her life and career, symbolizing the trials and triumphs she has experienced.
In a statement, Makhadzi explained the concept behind the cover: “What’s life without challenges and celebrations? How do you know God if he has never come and rescued you and given you another chance to breathe and count more blessings? Ladies and gentlemen, allow me to introduce my album cover: A Miracle Child.”
She continued, “I opened my wardrobe and found nothing to wear to cover my pain and celebrations. I decided not to cover them; instead, I chose to wear all my pain and celebrations. All challenges in life are God’s protection and all celebrations are God’s blessings and miracles.”
The cover is a vivid reflection of Makhadzi’s journey. The Ganama hitmaker has faced numerous challenges throughout her career, including financial struggles and high-profile moments. For instance, she borrowed money to attend the BET Awards, where she won the prestigious Viewers’ Choice: Best New International Act award in June. Additionally, she has dealt with substantial tax debts to Sars (South African Revenue Service). The cover art serves as a testament to her resilience and strength.
Makhadzi expressed her belief in her miraculous journey: “I think I’m a miracle child. If you know where I started and where I come from, God brought me to this world so those who don’t believe in his miracles can believe.”
The release of *Miracle Child* has sparked a diverse range of reactions on social media. Many fans have lauded Makhadzi for her boldness and vulnerability, praising her for using her platform to address sensitive topics and celebrate her experiences. On the other hand, some critics have accused her of imitating Rihanna’s album cover, arguing that the homage might come across as unoriginal.
Despite the controversy, Makhadzi’s album is poised to be a deeply personal and evocative piece, reflecting the highs and lows of her life and career. As anticipation builds for the album’s release, it’s clear that Makhadzi’s *Miracle Child* will be a compelling exploration of her journey through the lens of her unique artistic vision.
In other news – Thomas Mapfumo accuses Zimbabwe’s Zanu-PF party of land revocation
Thomas Mapfumo, a renowned Zimbabwean musician celebrated for his politically charged music, has recently accused the ruling Zanu-PF party of revoking land that was allocated to him by the Harare City Council in the early 2000s. This accusation has reignited discussions about land allocation issues and the political tensions in Zimbabwe.
Mapfumo, known for his outspoken criticism of the government through his music, claims that the land in question was located in the affluent Borrowdale suburb. This parcel of land was part of a larger allocation that included other prominent figures such as fellow musician Oliver Mtukudzi and footballer George Shaya. Read More
